剧情介绍
2021/12/10 love among the ruins
这幅画取材于英国诗人罗伯特·布朗宁的同名诗 《love among the ruins 废墟中的爱 》，画面所表现的如梦境般永恒的美超越了文学题材本身。
曾经繁华的城邑 , 满目疮痍,所有的辉煌和痕迹被掩埋，人们的悲欢离合，争名夺利,耻辱与荣光也随之湮 没于其中。 石缝中生出稀疏的枝条，淡粉色小花孤寂地开放, 给人希望，温馨和甜蜜之感。 古塔在石基上耸立, 夕阳西沉，大地变得苍茫,光影暗淡下来, 长发姑娘与她等候的情郎相会,蓝色调的衣装与灰色调的建筑烘托出破败凄凉的环境， 她静默无语，双手搭在男子的肩上, 目光温柔沉静,两人物我两忘，若有所思, 情深意长。繁华落尽, 唯爱永存。整幅画是冷色调，人物与背景自然交融，生发出淡淡幽情, 洋溢着浪漫主义情调。
love among the ruins
- by robert browning
where the quiet-coloured end of evening smiles, miles and miles ,
on the solitary pastures where our sheep, half-asleep
tinkle homeward thro' the twilight, stray or stop
as they crop—
was the site once of a city great and gay, (so they say)
of our country's very capital, its prince
ages since
held his court in, gathered councils, wielding far
peace or war.
now the country does not even boast a tree,
as you see,
to distinguish slopes of verdure, certain rills
from the hills
intersect and give a name to, (else they run into one)
where the domed and daring palace shot its spires
up like fires
o'er the hundred-gated circuit of a wall
bounding all made of marble, men might march on nor beprest
twelve abreast.
and such plenty and perfection, see, of grass
never was!
such a carpet as, this summer-time,o'er-spreads
and embeds
every vestige of the city, guessed alone,
stock or stone—
where a multitude of men breathed joy and woe
long ago;
lust of glory pricked their hearts up, dread of shame
struck them tame;
and that glory and that shame alike, the gold
bought and sold.
now—the single little turret that remains
on the plains,
by the caper overrooted, by the gourd
overscored,
while the patching houseleek's head of blossom winks
through the chinks—
marks the basement whence a tower in ancient time
sprang sublime,
and a burning ring, all round, the chariots traced
as they raced,
and the monarch and his minions and his dames
viewed the games.
and i know, while thus the quiet-coloured eve
smiles to leave
to their folding, all our many-tinkling fleece
in such peace,
and the slopes and rills in undistinguished grey
melt away—
that a girl with eager eyes and yellow hair
waits me there
in the turret whence the charioteers caught soul
for the goal,
when the king looked, where she looks now, breathless, dumb
till i come.
but he looked upon the city, every side,
far and wide,
all the mountains topped with temples, all the glades'
colonnades,
all the causeys, bridges, aqueducts,—and then
all the men!
when i do come, she will speak not, she will stand,
either hand
on my shoulder, give her eyes the first embrace
of my face,
ere we rush, ere we extinguish sight and speech
each on each.
in one year they sent a million fighters forth
south and north,
and they built their gods a brazen pillar high
as the sky
yet reserved a thousand chariots in full force—
gold,of course.
o heart! oh blood that freezes, blood that burns!
earth's returns
for whole centuries of folly, noise and sin!
shut them in,
with their triumphs and their glories and the rest!
love is best.
作者:爱德华·伯恩·琼斯爵士（edward burne-jones，1833-1898年）
英国拉斐尔前派画家、图书插画家、彩色玻璃和马赛克设计师，新唯美主义运动先驱。出生于伯明翰，原是牛津神学院学生，在拉斐尔前派艺术家罗塞蒂的劝说下，放弃了在教会任神职的机会。1855年，师从罗塞蒂。一生完成200幅油画，还为好友莫里斯的公司设计了大量装饰作品，例如书籍插图、地毯、彩绘玻璃等。受英国拉斐尔前派画家和诗人但丁的影响，其作品是当时统治英格兰的浪漫主义流派的代表。1894年，被授予男爵称号。
他的作品构图细致入微，富于精神幻觉，最爱的主题是高贵的女人、天使、神和英雄，对神秘的神话传说感兴趣，多以圣经故事、亚瑟王的传说、希腊神话为题材，充满了浪漫的梦想和诡异的情调，极少直接表达现实题材。笔下的人物优雅而倦怠，很少有快速的动作，给画面带来远离人间烟火的美的气氛。
代表作品：
《金色台阶》《大海深处》《野玫瑰》《梅林的诱惑》《礼赞维纳斯》《丘比特与普绪客》《邪恶之颅》《天使报喜》《国王可菲丢阿和讨饭女》
拉菲尔前派主张自然主义与真实主义，他们用活泼，敏感的笔触直接描写自然，他们虽然模仿拉菲尔之前的各大画家，但却不受艺术上的法则约束。
